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American Earth State of war II wartime poster

J. Howard Miller's "We Can Do It!" poster from 1943

"We Can Do Information technology!" is an American World War Ii wartime poster produced by J. Howard Miller in 1943 for Westinghouse Electrical every bit an inspirational image to heave female person worker morale.

The poster was petty seen during Earth War 2. It was rediscovered in the early 1980s and widely reproduced in many forms, often called "Nosotros Can Exercise Information technology!" only too called "Rosie the Riveter" afterwards the iconic figure of a strong female war production worker. The "Nosotros Can Do It!" image was used to promote feminism and other political problems beginning in the 1980s.[1] The prototype made the cover of the Smithsonian magazine in 1994 and was fashioned into a US first-form mail service stamp in 1999. Information technology was incorporated in 2008 into campaign materials for several American politicians, and was reworked past an artist in 2010 to gloat the commencement woman becoming prime minister of Commonwealth of australia. The poster is i of the ten about-requested images at the National Athenaeum and Records Administration.[i]

After its rediscovery, observers often assumed that the image was always used equally a call to inspire women workers to join the war effort. Even so, during the state of war the image was strictly internal to Westinghouse, displayed only during February 1943, and was not for recruitment but to exhort already-hired women to work harder.[2] People take seized upon the uplifting mental attitude and apparent message to remake the prototype into many unlike forms, including cocky empowerment, campaign promotion, advertising, and parodies.

After she saw the Smithsonian cover prototype in 1994, Geraldine Hoff Doyle mistakenly said that she was the subject of the affiche. Doyle thought that she had also been captured in a wartime photograph of a woman mill worker, and she innocently causeless that this photo inspired Miller's poster. Conflating her every bit "Rosie the Riveter", Doyle was honored by many organizations including the Michigan Women's Historical Center and Hall of Fame. Nevertheless, in 2015, the woman in the wartime photo was identified every bit then 20-yr-one-time Naomi Parker, working in early 1942 before Doyle had graduated from high schoolhouse. Doyle's notion that the photograph inspired the poster cannot be proved or disproved, so neither Doyle nor Parker tin exist confirmed every bit the model for "We Tin can Do It!".

Background [edit]

A propaganda poster from 1942 encouraging unity between labor and management of GM

After the Japanese set on on Pearl Harbor, the U.Southward. government called upon manufacturers to produce greater amounts of war goods. The workplace atmosphere at large factories was oftentimes tense because of resentment congenital up between management and labor unions throughout the 1930s. Directors of companies such equally General Motors (GM) sought to minimize by friction and encourage teamwork. In response to a rumored public relations campaign by the United Car Workers union, GM quickly produced a propaganda poster in 1942 showing both labor and management rolling up their sleeves, aligned toward maintaining a steady rate of war production. The poster read, "Together We Tin Practise It!" and "Go on 'Em Firing!"[3] In creating such posters, corporations wished to increase production past tapping popular pro-war sentiment, with the ultimate goal of preventing the regime from exerting greater control over production.[3]

J. Howard Miller [edit]

J. Howard Miller was an American graphic artist. He painted posters during World State of war Ii in support of the war effort, amid them the famous "We Can Do It!" poster. Aside from the iconic poster, Miller remains largely unknown.[four] Little has been written about Miller'south life, and the yr of his birth and death are uncertain.[5] His life bridge has been published as "ca. 1915 – ca. 1990",[6] "ca. 1915 – 1990",[7] and "1918–2004"[viii]

Miller studied at the Art Establish of Pittsburgh, graduating in 1939.[ix] He lived in Pittsburgh during the war. His work came to the attention of the Westinghouse Visitor (afterward, the Westinghouse War Product Co-Ordinating Committee), and he was hired to create a series of posters. The posters were sponsored by the company'south internal State of war Production Co-Ordinating Committee, one of the hundreds of labor-management committees organized nether the supervision of the national War Product Board.

Westinghouse Electric [edit]

In 1942, Miller was hired by Westinghouse Electric's internal War Production Coordinating Committee, through an advertising bureau, to create a series of posters to display to the company'southward workers.[1] [x] The intent of the poster projection was to enhance worker morale, to reduce absenteeism, to straight workers' questions to management, and to lower the likelihood of labor unrest or a factory strike. Each of the more than 42 posters designed past Miller was displayed in the mill for two weeks, then replaced past the next one in the series. Most of the posters featured men; they emphasized traditional roles for men and women. One of the posters pictured a smile male managing director with the words "Any Questions Almost Your Piece of work? ... Enquire your Supervisor."[i] [two]

Another poster by J. Howard Miller from the aforementioned series as "We Can Do It!"

No more than 1,800 copies of the 17-by-22-inch (559 past 432 mm) "We Can Do It!" poster were printed.[1] It was non initially seen beyond several Westinghouse factories in East Pittsburgh, Pennsylvania, and the midwestern U.South., where it was scheduled to be displayed for two five-twenty-four hours work weeks starting Monday, Feb fifteen, 1943.[1] [11] [12] [xiii] [14] The targeted factories were making plasticized helmet liners impregnated with Micarta, a phenolic resin invented past Westinghouse. Generally women were employed in this enterprise, which yielded some thirteen million helmet liners over the course of the war.[xv] The slogan "We Can Do It!" was probably non interpreted past the manufacturing plant workers every bit empowering to women alone; they had been subjected to a series of paternalistic, decision-making posters promoting direction authorisation, employee capability and company unity, and the workers would likely have understood the image to mean "Westinghouse Employees Tin Do Information technology", all working together.[1] The upbeat prototype served equally gentle propaganda to heave employee morale and proceed production from lagging.[16] The badge on the "We Can Exercise It!" worker'due south neckband identifies her as a Westinghouse Electric plant floor employee;[16] the pictured red, white and blue vesture was a subtle phone call to patriotism, 1 of the frequent tactics of corporate war production committees.[1] [ii]

Rosie the Riveter [edit]

During World War II, the "We Can Do It!" affiche was not connected to the 1942 song "Rosie the Riveter", nor to the widely seen Norman Rockwell painting chosen Rosie the Riveter that appeared on the embrace of the Memorial Day result of the Saturday Evening Postal service, May 29, 1943. The Westinghouse poster was non associated with whatsoever of the women nicknamed "Rosie" who came forward to promote women working for war production on the home front. Rather, after existence displayed for ii weeks in February 1943 to some Westinghouse mill workers, it disappeared for nearly four decades.[17] [18] Other "Rosie" images prevailed, frequently photographs of actual workers. The Role of War Data geared up for a massive nationwide advert campaign to sell the war, merely "We Can Practise It!" was not part of it.[16]

Rockwell'southward emblematic Rosie the Riveter painting was loaned by the Mail service to the U.South. Treasury Section for utilise in posters and campaigns promoting war bonds. Following the state of war, the Rockwell painting gradually sank from public retention because information technology was copyrighted; all of Rockwell's paintings were vigorously defended by his manor after his death. This protection resulted in the original painting gaining value—it sold for nearly $5 one thousand thousand in 2002.[19] Conversely, the lack of protection for the "Nosotros Can Do It!" image is ane of the reasons it experienced a rebirth.[12]

Ed Reis, a volunteer historian for Westinghouse, noted that the original image was not shown to female person riveters during the war, so the contempo clan with "Rosie the Riveter" was unjustified. Rather, it was targeted at women who were making helmet liners out of Micarta. Reis joked that the woman in the image was more likely to accept been named "Molly the Micarta Molder or Helen the Helmet Liner Maker."[15]

Rediscovery [edit]

In 1982, the "We Can Do It!" affiche was reproduced in a mag article, "Affiche Fine art for Patriotism'southward Sake", a Washington Post Magazine commodity nigh posters in the collection of the National Archives.[20]

In subsequent years, the poster was re-appropriated to promote feminism. Feminists saw in the paradigm an embodiment of female person empowerment.[21] The "We" was understood to mean "We Women", uniting all women in a sisterhood fighting confronting gender inequality. This was very different from the poster's 1943 use to control employees and to discourage labor unrest.[1] [16] History professor Jeremiah Axelrod commented on the epitome's combination of femininity with the "masculine (almost macho) limerick and body language."[22]

Smithsonian magazine put the image on its cover in March 1994, to invite the viewer to read a featured article most wartime posters. The United states Postal Service created a 33¢ stamp in February 1999 based on the image, with the added words "Women Support War Effort".[23] [24] [25] A Westinghouse poster from 1943 was put on display at the National Museum of American History, role of the exhibit showing items from the 1930s and '40s.[26]

Wire service photo [edit]

In 1984, onetime war worker Geraldine Hoff Doyle came across an article in Modern Maturity magazine which showed a wartime photograph of a immature adult female working at a lathe, and she assumed that the photograph was taken of her in mid-to-late 1942 when she was working briefly in a factory. 10 years later, Doyle saw the "We Can Do Information technology!" affiche on the front of the Smithsonian magazine and assumed the poster was an image of herself. Without intending to profit from the connection, Doyle decided that the 1942 wartime photograph had inspired Miller to create the poster, making Doyle herself the model for the poster.[27] Subsequently, Doyle was widely credited as the inspiration for Miller'due south poster.[17] [28] [29] [30] [31] From an archive of Acme news photographs, Professor James J. Kimble obtained the original photographic print, including its yellowed explanation identifying the woman as Naomi Parker. The photograph is one of a serial of photographs taken at Naval Air Station Alameda in California, showing Parker and her sister working at their war jobs during March 1942.[32] [33] These images were published in various newspapers and magazines start in April 1942, during a time when Doyle was still attention loftier schoolhouse in Michigan.[27] In Feb 2015, Kimble interviewed the Parker sisters, at present named Naomi Fern Fraley, 93, and her sister Ada Wyn Morford, 91, and found that they had known for v years well-nigh the incorrect identification of the photo, and had been rebuffed in their attempt to right the historical record.[27] Naomi Parker Fraley died at age 96 on January 20, 2018.[34]

Although many publications accept repeated Doyle's unsupported assertion that the wartime photograph inspired Miller's poster,[27] Westinghouse historian Charles A. Ruch, a Pittsburgh resident who had been friends with J. Howard Miller, said that Miller was not in the habit of working from photographs, but rather live models.[35] However, the photo of Naomi Parker did announced in the Pittsburgh Press on July 5, 1942, making it possible that Miller saw it as he was creating the poster.[34]

Legacy [edit]

The "We Can Do It!" affiche was used by the Advertizing Quango for its 70th ceremony celebration, through a Facebook app called "Rosify Yourself".

Today, the epitome has become very widely known, far across its narrowly divers purpose during World War II. It has adorned T-shirts, tattoos, coffee cups and refrigerator magnets—so many different products that The Washington Mail service called it the "most over-exposed" souvenir particular available in Washington, D.C.[1] It was used in 2008 by some of the various regional campaigners working to elect Sarah Palin, Ron Paul and Hillary Clinton.[15] Michelle Obama was worked into the image by some attendees of the 2010 Rally to Restore Sanity and/or Fear.[16] The paradigm has been employed past corporations such every bit Clorox who used information technology in advertisements for household cleaners, the pictured adult female provided in this example with a wedding ring on her left hand.[36] Parodies of the image have included famous women, men, animals and fictional characters. A bobblehead doll and an activeness figure toy have been produced.[1] The Children's Museum of Indianapolis showed a iv-by-five-human foot (ane.two by 1.5 m) replica made by creative person Kristen Cumings from thousands of Jelly Belly candies.[37] [38]

After Julia Gillard became the beginning female prime government minister of Australia in June 2010, a street artist in Melbourne calling himself Phoenix pasted Gillard'due south confront into a new monochrome version of the "We Tin can Practise It!" poster.[39] AnOther Mag published a photograph of the poster taken on Hosier Lane, Melbourne, in July 2010, showing that the original "War Product Co-ordinating Committee" mark in the lower right had been replaced with a URL pointing to Phoenix's Flickr photostream.[xl] [41] [42] In March 2011, Phoenix produced a color version which stated "She Did It!" in the lower right,[43] then in January 2012 he pasted "Also Sad" diagonally across the poster to represent his disappointment with developments in Australian politics.[44]

Geraldine Doyle died in December 2010. Utne Reader went ahead with their scheduled January–February 2011 embrace prototype: a parody of "Nosotros Can Do It!" featuring Marge Simpson raising her correct paw in a fist.[45] The editors of the mag expressed regret at the passing of Doyle.[46]

A stereoscopic image of "We Can Practice Information technology!" was created for the closing credits of the 2011 superhero picture show Helm America: The Start Avenger. The epitome served every bit the groundwork for the championship card of English extra Hayley Atwell.[47]

The Advertizing Council claimed the affiche was developed in 1942 by its precursor, the State of war Advertizing Committee, as part of a "Women in War Jobs" campaign, helping to bring "over two 1000000 women" into state of war product.[48] [49] [50] In February 2012 during the Advertising Council'due south 70th ceremony celebration, an interactive awarding designed by Animax'south HelpsGood digital agency was linked to the Advertizing Council's Facebook page. The Facebook app was chosen "Rosify Yourself", referring to Rosie the Riveter; it allowed viewers to upload images of their faces to exist incorporated into the "Nosotros Tin Practice It!" affiche, and then saved to be shared with friends.[51] Ad Quango President and CEO Peggy Conlon posted her own "Rosified" confront on Huffington Post in an article she wrote nearly the group's 70-year history.[50] The staff of the goggle box show Today posted two "Rosified" images on their website, using the faces of news anchors Matt Lauer and Ann Curry.[52] Even so, Seton Hall University professor James J. Kimble and University of Pittsburgh professor Lester C. Olson researched the origins of the poster and determined that it was not produced by the Advertizing Council nor was it used for recruiting women workers.[i]

In 2010, American singer Pink featured this affiche in her Raise Your Glass music video. Pinkish recreates the poster wearing the aforementioned clothing and doing the same pose as in the affiche.

Come across also [edit]

  • American propaganda during World State of war II
  • Bras d'honneur
  • Go on Calm and Carry On, another WWII affiche that became famous merely decades later

References [edit]

  1. ^ a b c d e f g h i j 1000 50 Kimble, James J.; Olson, Lester C. (Winter 2006). "Visual Rhetoric Representing Rosie the Riveter: Myth and Misconception in J. Howard Miller's 'We Tin Exercise It!' Affiche". Rhetoric & Public Affairs. ix (4): 533–569. JSTOR 41940102. Also available through Highbeam.
  2. ^ a b c Bird, William L.; Rubenstein, Harry R. (1998). Design for Victory: World War II posters on the American abode forepart. Princeton Architectural Press. p. 78. ISBN978-1-56898-140-6. Archived from the original on May 10, 2016. Retrieved July 15, 2016.
  3. ^ a b Bird/Rubenstein 1998, p. 58 Archived November 17, 2016, at the Wayback Machine.
  4. ^ Doris Weatherford (2009). American Women during World State of war Ii: An Encyclopedia. Routledge. p. 1181. ISBN978-one-135-20189-0.
  5. ^ Wong, Hannah Wai Ling (July 17, 2007). A Riveting "Rosie": J. Howard Miller's We Can Do It! Affiche and Twentieth Century American Visual Culture (1000.A.). University of Maryland, College Park. Archived from the original on October 20, 2018. Retrieved October 19, 2018.
  6. ^ "We Tin can Do Information technology!". Smithsonian American Art Museum. Archived from the original on July 11, 2007.
  7. ^ William H. Immature; Nancy K. Immature (2010). Globe War Two and the Postwar Years in America: A-I. ABC-CLIO. p. 528. ISBN978-0-313-35652-0.
  8. ^ Susan Doyle; Jaleen Grove; Whitney Sherman (2018). History of Analogy. Bloomsbury Bookish. pp. 353–. ISBN978-one-5013-4211-0.
  9. ^ Fisher, Jacquelyn Felix; Goodman, E. West. (2009). The Art Institute of Pittsburgh Arcadia Publishing. p. xvi. ISBN978-0738565545.
  10. ^ Ehrlich, David A.; Minton, Alan R.; Stoy, Diane (2007). Smokey, Rosie, and You!. Hillcrest Publishing Group. p. 62. ISBN978-1-934248-33-1. Archived from the original on November 17, 2016. Retrieved July 15, 2016.
  11. ^ Heyman, Therese Thau (1998). Posters American Mode. New York: National Museum of American Art, Smithsonian Institution, in association with Harry N. Adams, Inc. p. 106. ISBN978-0-8109-3749-9.
  12. ^ a b Harvey, Sheridan (July 20, 2010). "Rosie the Riveter: Real Women Workers in Globe War 2". Journeys & Crossings. Library of Congress. Archived from the original on Jan i, 2011. Retrieved January 23, 2012.
  13. ^ "Piece of work–Fight–Requite: Smithsonian Globe War Ii Posters of Labor, Government, and Industry". Labor's Heritage. 11 (4): 49. 2002.
  14. ^ "We Tin Do It!". Smithsonian Institution. Archived from the original on October 29, 2013. Retrieved May 25, 2012. Search results for catalog number 1985.0851.05.
  15. ^ a b c "'Rosie the Riveter' is not the same every bit 'Nosotros Tin can Practise It!'". Docs Populi. Archived from the original on October 25, 2012. Retrieved January 23, 2012. Excerpted from:
    Cushing, Lincoln; Drescher, Tim (2009). Agitate! Brainwash! Organize!: American Labor Posters . ILR Press/Cornell University Press. ISBN978-0-8014-7427-nine.
  16. ^ a b c d e Sharp, Gwen; Wade, Lisa (January iv, 2011). "Sociological Images: Secrets of a feminist icon" (PDF). Contexts. 10 (ii): 82–83. doi:10.1177/1536504211408972. ISSN 1536-5042. S2CID 145551064. Archived (PDF) from the original on Oct viii, 2011. Retrieved January 24, 2012.
  17. ^ a b McLellan, Dennis (December 31, 2010). "Geraldine Hoff Doyle dies at 86; inspiration behind a famous wartime poster". Los Angeles Times. Archived from the original on September 20, 2012. Retrieved January 24, 2012.
  18. ^ Young, William H.; Immature, Nancy Grand. (2010). World State of war II and the Postwar Years in America: A Historical and Cultural Encyclopedia. Vol. 1. ABC-CLIO. p. 606. ISBN978-0-313-35652-0. Archived from the original on May 1, 2016. Retrieved July 15, 2016.
  19. ^ Weatherford, Doris (2009). American Women during World War II: an encyclopedia. Taylor & Francis. p. 399. ISBN978-0-415-99475-0. Archived from the original on May vii, 2016. Retrieved July 15, 2016.
  20. ^ Brennan, Patricia (May 23, 1982). "Poster Art for Patriotism'due south Sake". Washington Mail Mag: 35.
  21. ^ Endres, Kathleen 50. (2006). "Rosie the Riveter". In Dennis Hall, Susan G. Hall (ed.). American icons: an encyclopedia of the people, places, and things. Vol. 1. Greenwood. p. 601. ISBN978-0-275-98429-eight.
  22. ^ Axelrod, Jeremiah B.C. (2006). "The Noir War: American Narratives of World War Ii and Its Aftermath". In Diederik Oostdijk, Markha One thousand. Valenta (ed.). Tales of the Great American Victory: World War II in Politics and Poetics. VU University Press. p. 81. ISBN978-90-5383-976-eight.
  23. ^ "1999–2000 Highlights". Rosie The Riveter Memorial Project. Richmond, California: Rosie the Riveter Trust. April 2003. Archived from the original on March 28, 2012. Retrieved January 24, 2012.
  24. ^ "Women Back up State of war Endeavour". Usa Mail service. Archived from the original on June 23, 2013. Retrieved January 24, 2012.
  25. ^ "Women On Stamps (Publication 512)" (PDF). United States Postal Service. Apr 2003. Archived (PDF) from the original on April 20, 2013. Retrieved January 24, 2012.
  26. ^ "Treasures of American History: The Dandy Depression and World War 2". National Museum of American History. Archived from the original on October 19, 2012. Retrieved January 24, 2012.
  27. ^ a b c d Kimble, James J. (Summertime 2016). "Rosie's Secret Identity, or, How to Deflate a Woozle by Walking Backward through the Forest of Visual Rhetoric". Rhetoric and Public Affairs. 19 (two): 245–274. doi:10.14321/rhetpublaffa.19.two.0245. ISSN 1094-8392. S2CID 147767111.
  28. ^ Chuck, Elizabeth (December xxx, 2010). "Geraldine Doyle, inspiration for 'Rosie the Riveter,' dies at 86". Field Notes from NBC News. Archived from the original on January 1, 2011. Retrieved July 1, 2015.
  29. ^ Williams, Timothy (December 29, 2010). "Geraldine Doyle, Iconic Face up of Globe War 2, Dies at 86". The New York Times. Archived from the original on January 24, 2017. Retrieved February 26, 2017.
  30. ^ Memmot, Mark (Dec 31, 2010). "Michigan Woman Who Inspired WWII 'Rosie' Poster Has Died". NPR. Archived from the original on January 19, 2012. Retrieved January 23, 2012.
  31. ^ Schimpf, Sheila (1994). "Geraldine Hoff Doyle". Michigan History Magazine. 78: 54–55.
  32. ^ "Ada Wyn Morford Papers". National Park Service Museum Collections. Archived from the original on March vii, 2016. Retrieved February 27, 2016.
  33. ^ "All This and Overtime, Too". Corbis. Archived from the original on September 29, 2015. Retrieved February 28, 2016.
  34. ^ a b Fox, Margalit (2018). "Naomi Parker Fraley, the Existent Rosie the Riveter, Dies at 96". The New York Times. Archived from the original on January 22, 2018. Retrieved January 23, 2018.
  35. ^ Coleman, Penny (Dec 30, 2010). "Rosie the Riveter Paradigm". PennyColeman.com. Archived from the original on April 28, 2011. Retrieved Jan 24, 2012.
  36. ^ Wade, Lisa (Oct 22, 2007). "Sociological Images: Trivializing Women's Power". The Society Page. Archived from the original on June 22, 2013. Retrieved January 24, 2012.
  37. ^ Paul, Cindy (Apr 12, 2011). "Masterpieces of Jelly Bean Fine art Collection at the Children's Museum". Indianapolis, Illinois: Funcityfinder.com. Archived from the original on September 23, 2012. Retrieved Oct 5, 2012.
  38. ^ Cumings, Kristen. "We Can Do It!". Jelly Belly Edible bean Fine art Drove. Jelly Belly. Archived from the original on October 3, 2012. Retrieved October 5, 2012.
  39. ^ Phoenix (June 29, 2010). "We Can Practise Information technology!". Flickr. Archived from the original on Oct vii, 2012. Retrieved October 5, 2012.
  40. ^ Hellqvist, David (July 27, 2010). "Australian President, Julia Gillard". Another Magazine. Archived from the original on September 27, 2012. Retrieved October v, 2012.
  41. ^ Dama Design (July eight, 2010). "Julia Gillard". Tumblr. Archived from the original on October 7, 2012. Retrieved October 5, 2012.
  42. ^ Phoenix (March 12, 2011). "Nosotros Can Exercise Information technology!". Flickr. Archived from the original on June 23, 2013. Retrieved October 5, 2012.
  43. ^ Phoenix (July 2, 2010). "We Tin Practise It!". Flickr. Archived from the original on June 23, 2013. Retrieved October v, 2012.
  44. ^ Phoenix (January 23, 2012). "She Did Information technology! (As well Sorry)". Flickr. Archived from the original on December eighteen, 2013. Retrieved October five, 2012.
  45. ^ "Table of Contents". Utne Reader. January–Feb 2011. Archived from the original on Baronial 31, 2012. Retrieved January 24, 2012.
  46. ^ "untitled". Utne Reader editorial blog. Utne Reader. January iii, 2011. Archived from the original on June 23, 2013. Retrieved January 24, 2012.
  47. ^ Landekic, Lola (August 30, 2011). "Captain America: The First Avenger". Art of the Championship. Archived from the original on January 25, 2013. Retrieved Feb 17, 2012.
  48. ^ "The Story of the Ad Council". Ad Council. Archived from the original on February 16, 2007. Retrieved September 24, 2012.
  49. ^ "Frequently Asked Questions". Advert Quango. Archived from the original on May three, 2013. Retrieved September 24, 2012. Working in tandem with the Office of War Information, the Ad Council created campaigns such as Buy War Bonds, Plant Victory Gardens, 'Loose Lips Sink Ships,' and Rosie the Riveter'southward 'We Can Practise it.'
  50. ^ a b Conlon, Peggy (February 13, 2012). "Happy Birthday Advert Council! Celebrating seventy Years of Public Service Advertising". Huffington Post. Archived from the original on February 16, 2012. Retrieved September 24, 2012.
  51. ^ "HelpsGood Develops 'Rosify Yourself' App for Advertising Council's 70th Birthday". HelpsGood. February 2012. Archived from the original on Jan 26, 2013. Retrieved September 24, 2012.
  52. ^ Veres, Steve (February thirteen, 2012). "Plaza sign of the day: Matt as Rosie the Riveter". Today. MSN Allday Today. Archived from the original on July vii, 2017. Retrieved September 24, 2012.

External links [edit]

  • "Nosotros Can Do Information technology!" poster at the National Museum of American History
  • Library of Congress Webcast
  • J. Howard Miller (1918–2004)

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Source: https://en.wikipedia.org/wiki/We_Can_Do_It!

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